Costi (Toma Cuzin) is husband and father of one living happily and humbly despite a looming economic crisis. When propositioned by neighbor Adrian (Adrian Purcarescu) for cash, Costi politely turns him down out of necessity. When Adrian returns with a rumor of buried treasure on his family’s revolution-era estate grounds, intrigue sets in and the duo agrees to satisfy their joint curiosity. Barring the inherent absurdity of digging for treasure, Costi and Adrian set out with hopeful skepticism and a metal detector to get to work.
Having not familiarized myself with Porumboiu’s purposefully deadpan style, I found myself enamored with The Treasure‘s steadfast manner of presentation. Fueled by subtle commentary on Romania’s floundering economy, the transpiring treasure hunt can be aptly described as absurdly innocuous. Punctuated by an equally subtle sense of humor, the slightness of narrative transcends banality thanks to the assured personality Porumboiu injects into the proceedings.
The Treasure is a breezy exercise in exemplifying the filmmaker’s subjective and tonal proclivities. For as “uneventful” some may deem Costi and Adrian’s sole tribulation, the film is all the better for remaining decidedly uncomplicated in the employment of its central themes. It also culminates in what I consider to be one of the most uplifting scenes featured in anything I’ve seen this year, and the smile it helped plaster across my face alone speaks volumes about how simply entertaining Porumboiu’s latest is.