PFF24: Victoria (Sebastian Schipper, GER)

Flaunting an undeniably dexterous single take conceit, Victoria follows the titular twentysomething on a fateful two-plus hour jaunt through the streets of her non-native Berlin. An initially innocuous run-in with an inebriated quartet of locals yields the debauchery you’d expect it to, that is until a phone call upends the festivities tenfold. What ensues is a dice roll of dire proportions when Victoria becomes an unknowing accessory to the scheme the lot of them are forced to execute.

The word “gimmick” can often come off as reductive based on context. As a solely technical accomplishment, Victoria‘s ability to breezily exploit its strongest attribute is impressive in and of itself. In fact, one needn’t see the film in order to buy into the buzz surrounding what’s ostensibly a rote heist thriller bolstered by tension in real time. Gimmicky or not, what transpires is still engaging albeit a victim of its own design in terms of a streamlined narrative best suited for the film’s inherent visceral integrity.

Beyond the obvious, Victoria doesn’t have much else going for it. The performances are fine but the narrative isn’t, opting to paint Victoria as a naive, weak-willed hyperbole of exactly the woman these guys needed to help them in a pinch. It’s not an entirely insulting caricature, yet grating enough given how genuinely stupid the lot of them are. In handling what could very easily become a matter of life and death at any moment, the choices they make belie the film’s more sophisticated trappings, even if they’re all drunk, high, reckless and in the throes of an adrenaline rush.

Victoria does a great job at masking its inadequacies with one-third of the tagline on its poster. The excellent execution of concept is unsurprisingly its crowning attribute, greatly overshadowing just how necessarily bare bones the proceedings are to ensure the utmost smoothness of presentation. It’s agreeably impressive and worth lauding as a fundamental cinematic achievement, but Victoria doesn’t stand tall as a pinnacle of contemporary excellence.

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